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Video Editing & Motion

Practical notes on editing, timing, animation, and repeatable production workflows.

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Page 11 of 12
240 posts · Page 11 of 12

September 21, 2026

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Imagine how hard it would be to edit Conan O'Brien Must Go, picking and nixing which jokes make it to the final cut... 😨 At least Matthew Shaw, ACE, and his team have Premiere to make the editing part easy. Stream Season 3 on @hbomax today! https://t.co/mixnoHmLAN

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I too feel the AI fatigue. If you act slowly, patiently and value the craft, don’t get discouraged! We see you 🫡

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This week Canva takes direct aim at Adobe with its new ProSuite ecosystem, Jake Bartlett calls out misleading AI motion graphics tools, and Putty gives After Effects a modern mesh warp alternative. It's Motion Mondays! Watch the full episode now ➡️ https://t.co/H13ztkk6pr https://t.co/HKy7ucMTtv

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U.S. Against the World | Good Secrets Seventy percent hip hop. Thirty percent punk rock. For HBO Originals’ U.S. Against the World, Good Secrets channels the U.S. Men’s National Team’s rebellious energy into scratched film, collage, and graffiti. A handcrafted visual language built around the team’s grit and ambition. That approach extends from the title sequence across the entire graphics package, with custom maps, game clocks, scorecards, and archival treatments carrying the same raw, physical texture. Created alongside Park Stories’ Rand Getlin and Janina Pelayo and Outpost’s Lucas Harger. Watch the full film: https://t.co/MBPGJTzHfc #GoodSecrets #TitleDesign #MotionDesign #Collage #USMNT #mtngrphr #motionographer

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Send a personalized donation to the Blender Development Fund with a new ‘Show your support’ option, and see the immediate effect on the Blender Roadmap. Learn more: https://t.co/dUy0yAjp81 #b3d #DevFund https://t.co/MMe9lyZlAf

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💚 Site of the Day - Khanh Nguyen Portfolio Khanh Nguyen — @kennguyen94 ⚙️ ScrollTrigger, ScrollSmoother, Text, ScrollTo, useGSAP 🛠️ Three.js, Web GL site → https://t.co/NAVdXYSojx showcase → https://t.co/zGjV9MxQ0f https://t.co/oXTwdkI0Xv

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September 20, 2026

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See Blackmagic PYXIS 12K in Burbank! Join us at the Hot Rod Cameras Content Creator Day on September 24th from 1-4pm at 722 North Mariposa Street, Burbank for demonstrations of Blackmagic PYXIS 12K, Blackmagic URSA Cine 12K LF and more! Register at https://t.co/HIzq3y6P7u https://t.co/0sT5PuVuRD

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September 19, 2026

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https://t.co/Y11pfjmwjB

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https://t.co/1J9FjjxfNf

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Check out these 4 next-level websites made in Framer ↓ https://t.co/LZiL8GOqJD

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September 18, 2026

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Motionographer turns 20. Twenty seats at the birthday could be yours. We are celebrating with Motion Plus Design New York and a weekend together with the people who make this community what it is. Friday, September 25: Founder House. A private rooftop in Lower Manhattan, the conference speakers, and work from The Motion Awards winners projected onto the building next door. Twenty names will be drawn from everyone holding a Motion Plus Design ticket by September 23. Already have yours? You are in. Winners hear by email on September 24. Saturday, September 26: Motion Plus Design takes the stage at Roulette in Brooklyn. That night we celebrate our twentieth at Mamacita at Deluxx Fluxx, doors at 10pm. Everyone is invited. Grab a free Dice ticket while they last. Twenty years of pointing at the work and the people behind it. Come celebrate with us. Tickets and details in the article: https://t.co/zh1OPnjv9g Trailer by Yeti Pictures for @motionplusdesign. #mtngrphr #motionographer #MotionPlusDesign #MotionDesign #NYC

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Build, restyle, and animate with 3D transforms just by prompting 00:04 Start with a frame and a prompt 00:23 Restyle 00:36 Add a 360° rotation 00:44 Hit the play button https://t.co/AfSP9jzevF

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Blender Extensions Platform update: the system will soon be expanded to support asset libraries as well. Learn more: https://t.co/pjU75pZoSa #b3d https://t.co/8xXE84iOVv

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Asset Libraries on Extensions Platform TLDR - Public Domain (CC0) assets only - Assets will be hosted on Blender’s servers - To share your asset libraries with the whole world, you need to fill out a submission request #b3d

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Asset Library Submission Request form link: https://t.co/pjU75pZoSa Looking forward to seeing your amazing CC0 assets! #b3d https://t.co/L5aSmDZjNa

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❌️ Your portfolio is NOT an art gallery ❌️ It’s a decision-making tool! In our latest blog post, we look at 5 ways to help a busy creative director understand what you do, see your best work, and decide you're the right person for the job 💪 https://t.co/YGeGpjGBSE https://t.co/XaV3PRYBz4

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💚 Site of the Day - Door Dennis by Dennis Janssen ⚙️ ScrollTrigger, SplitText, CustomEase, ScrollTo 🛠️ Three.js site → https://t.co/LaqUvp5umN showcase → https://t.co/zGjV9MxQ0f https://t.co/WZWugh8C5H

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Blackmagic Camera for iOS 3.5 now available! Adds support for iPhone 18 Pro models, including variable aperture control on the 48MP fusion main camera for depth of field and exposure, plus Apple ProRes recording using pro video storage. Download now from https://t.co/cdCpQ0cCIR https://t.co/Y8Ur3cCM9H

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September 17, 2026

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She Just Looks Like Her Life: Bridget Jones’s Diary at 25 Running mascara. Windblown hair. The infamous big pants. The details that made Bridget Jones unforgettable are the ones her creators trusted enough to leave in. At Tribeca Festival, Renée Zellweger and director Sharon Maguire revisited the film’s creation, from performing without vanity to finding universal recognition in a very particular life. For Motionographer®, Jesse Rylander explores what that specificity can teach anyone building a character, a world, or a story meant to last. Read the full article: https://t.co/a6IM8XmJQQ #BridgetJones #ReneeZellweger #SharonMaguire #TribecaFestival #Storytelling #MotionDesign #mtngrphr #motionographer

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Animated Metric: Build a five-stat carousel on black: compact rounded square left, wide text column right. Use Framer’s Wave Gradient: black with blue/pink, green/teal, red/orange, pink/violet or blue/violet. Center a pale outline icon, no badge. White medium-weight metric; muted sans-serif copy below, half its size. On first view and each selection, count from zero to target, slowing to a stop. Each changing digit rolls up in its own clipped column: old exits above, new enters below with brief blur. Separators and units stay fixed. Crossfade visuals; fade/lift copy. Below, five bare pastel icons; the active icon morphs into a short bar. Dark circular arrows flank them. Manual looping, no autoplay.

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